Bleak Horizon
( From the Chinese of Ma Chih-yuan [ ?1260 – ?1334 CE ] )
Shrivelled vines, aged trees; crows there in the dusk.
A little bridge, a dribbling stream, now someone’s hut.
An ancient road, the west wind, his emaciated horse…
past this heart-stricken man at the edge of the sky,
westward the twilight sun departs.
Clear River Song
( From the Chinese of Ma Chih-yuan [ ?1260 – ?1334 CE ] )
Woodman, astir! The mountain moon hangs low!
The old fisherman has come to call on you!
You cast aside your firewood and axe.
I’ll take my time and beach my boat.
Let’s find a cosy corner to relax!
Plum Blossom Chant
( From the Chinese of Mei-hua Ne [ Yuan: no dates available ] )
Till the end of day I searched for Spring,
but Spring could not be found,
my shoes of grass worn out by treading
the mountain-tops in cloud.
When I returned I gave a smile,
for toying with plum-blossom, smelled,
already at the branch’s end –
Spring1 Multiplied ten times!
( From my collection ‘Beneath the Silver River: Translations of Classical Chinese Poetry’ )
Note: The Yuan was the Mongol-led dynasty which ruled over China 1280-1368 CE.
The first two ‘Song-Poems’, by Ma Chih-yuan, were originally taken from Yuan period drama. The tune title of the first is Sky-Clear Sand. To accord with its uncompromisingly drear content I’ve given it the poem title which appears above (this poem I took as the basis for … to Seek, at Last, The Hollow Land which appeared very recently in The Igam-Ogam Mabinogion under the main article title Westward Walking). The title of his second, welcomingly brighter-themed poem remains that of the befitting tune-title, Clear River Song; this is one of the many early Chinese poems which extolls rustic companionship.
The third song-poem, Plum Blossom Chant, is an engaging piece which stands on its own. The poet’s name, Mei-hua Ne, translates as ‘Plum Blossom Sister’, and in the sole example I’ve come across of this poem, John Turner refers to her as ‘a Buddhist nun’, which seems appropriate and plausible enough.
Tag: nature
The Sixty-six Distillations
‘Distillations’ – These are Haikuform pieces, brief three-liners intended to express the core essence of a subject through using the most minimal sequence of words. The main heading of the article says there are sixty-six, and as it has a nice sound to it the title has been kept, although I see that on the last count there were seventy-seven; it’s possible that by now, a good while later, there are eighty-eight. The sixty-six and the nine or ten additions were written within a short period toward the end of last year and the beginning of this, when circumstances determined that my poetry-posting field should lie fallow awhile. I must have over five-hundred of these ‘distillations’ altogether; but ’the sixty-six’ were fresh recruits hurriedly mobilized to serve in an interim February article – and now it’s June. [*Of the main five-hundred, sixteen were posted under the title Medley: The Sounds, Silance, and Scenes of Open Spaces in the Aug.-Oct. 2022 section of ‘The Ig-Og’]. The term ‘distillations’ I borrowed from Clark Ashton Smith, who assisted Japanese literateur Kenneth Yasuda in his superlative study of traditional Japanese Haiku in the West, and which persuaded Smith to experiment further with minimal forms. ‘Haikuform’, ‘Haikuesque’, ‘Haikutype’ … anyone who is fully acquainted with traditional Japanese Haiku will soon see that the majority of the short pieces which appear below are not at all Haiku in the 17-syllable 5-7-5 arrangement (which continues to persist among a fair number of English language Haiku aficionados) although some may either by serendipity or with overall result in mind fall in with the pattern. Many of them, though, do conform to some of traditional Haiku’s more important – and for effect very necessary – conventions. Traditional Japanese Haiku’s adaptation into an English-language setting has not come without various transformations.
Minimal poetry demands that a great deal must be concentrated in a very small space, and a successful, truly effective economy of words is not all that easily attained. Some of those below will be seen as less successful than others. Before dipping in, then, as I hope you will, I’d just like to say this about these short and simple-seeming poems: Many of the topics are very ordinary, it’s agreed; but how often do we home in upon the core dynamism of an ordinary moment, actually take hold of it and weigh our thoughts, or half-thoughts, or fleeting sensations, or those of any passing, mundane happening? The crystallization of such moments – their intrinsic, unexpressed meaning most often overlooked – is what these short pieces are about. Some, no doubt, even with this as a goal, fall short of the mark: others, those outside the immediately experiential, such as those wholly imaginary or of flippantly humorous intent, can be seen as foxes in that fold; but If just a small number of the ’sixty-six’ cause you either to knit your brows contemplatively for a second or so, or raise a small smile, or give you the feeling of ‘Yes, that’s how is’, then I feel those will have succeeded.
Now and again in these posts I’m prone to include a word – most often a name – which by virtue of its outlandishness and hopefully its unfamiliarity to most is calculated to puzzle, the strategy being to propel the inquisitive into an impassioned investigation of the obscure (‘Victor’ and his geometric smile will almost certainly be well-known enough to be dismissed this role). Bowing, now, to a superstition about favourable and unfavourable numbers and at a final count having seen that there were indeed an inauspicious eighty-eight of these ‘distillations’, I’ve looted the original five-hundred for a further few in order to hurriedly head for ninety-nine. But just to be on the safe side – Dalmatians.
****************
Journeyman
The Shadow’s chasing you.
You have to move!
Find, poor fool, your love.
Neighbours
Mrs.Black meets
Mrs.Brown. Eyes
in every window spy.
Looking Back
Patches of sunlight.
Chances not taken – Piper, please!
A different tune …
Autumn Evening
Fields, trees, houses
stand out stark, till … gone!
The night takes hold.
Studying the Flames, and Thinking
Nice, by the fire.
Glad I’m not in it,
tied fast, screaming.
Travellers
We drift into sleep …
closed shadow-world. While Earth
ploughs deep through the void.
Loan
Winter sun
just setting – lends fire
to my face.
Roof
Cat lies on the tiles …
all swaying tail
and cunning eyes.
Accomplice
Night’s cloak, party to
the trysting of all lovers …
and all rogues.
Lost in France
School French? The natives
twig it! Why’d they reply
in rapid gibberish?
Clocktor’s Orders
My clocktor says
to get some sleep.
My book says not.
Not Invited
‘It’s really warm’,
winks the clock to the fire.
Rain hammers at the panes.
Paramour
Print’s dancing.
Please, a para more before …
Book’s on the floor.
Gatherings
We sit; we laugh.
Loved tales repeat. But
daylight hovers to go.
Ingrates?
I treat my books
respectfully. But do they care
a toss for me?
Ecstasy
Picking bogies
in the sun. Flicking them
at everyone.
Gion Geisha
Samisen
sedately tinkles. Sensual
Geisha giggles.
Not Fair!
Clocks tick in the dark.
Oi! While we’re asleep?
They gaily squander time?
Light Sketch
Grey pencil strokes
upon the world. And dawn
comes timidly.
Uprising
Ashes getting restive.
Nothing that a taste of flame
won’t tame.
Fearsome Me
Angry, swearing,
stamping upward … !
Each stair trembles.
Old Violin
Dust-filled attic…
Silence reig – Plaaanng!
Too-tautly-strung.
Bedtime Challenge
Turn off the light.
Face, fool, the secret
terrors of the night.
Spirit Moon
Mist-covered moor.
November Moon’s a
pale masked pearl.
Indifference
I spoke into the fire
of my plight. Damn flames
laughed heartily.
Herald
Quiet dawn.
Stars swept away. Then …
throbs on the horizon.
Old Garden
There, against mellow
lichened red of brick … Rich
orchard burdens ripen.
Surprise
The chisel chips. My
name’s being writ! Okay … I’ll
lie here for a bit.
Interruption
Grandfather Clock swung
tick and tock. ’Twas Time stopped
still the pendulum.
Lieutenancy
The curate comes,
subauditum – the clergy’s
duteous subaltern.
Display
Coins on
a collector’s velvet blue.
So lie the stars tonight.
Incoming
An imploration,
sky. Let me just
get home in time!
Wasted
Yes, there was the thing
called Youth. Summers
were much longer, then.
The Shortest Distance
I smiled. She smiled.
It was exactly
as good Victor said.
Interval
November’s emptiness …
The playground
when the bell has gone.
Entering the Glade
Sun strikes.
Russet shall be topaz,
Green? Why, emerald!
Rising
Near ruling Moon,
Venus, kindling silver,
wakens.
Encroachment
Writhings, small,
in glowing caves, till –
solid logs, ablaze.
Development
Happy old houses …
staring with regret
on change.
Sunday
Bells summon all.
Rooks flap and caw, all unaware
of Sunday.
All in Black
Jackdaw processions
up chapel hill? Well, I dunno,
sez Mr. Crow.
Roofscape
Streets lie shrouded.
Moonlight’s searching
roofs and chimneys.
New Llanelli
The good old town
still speaks to me … though not
to my heart anymore.
Timidity
Roomful of anger,
quarrels and shouts. Clock,
alarmed, ticks quietly.
Something to Say
Cold distance. Chill glarings
fill the room. How rude,
that deafening tick and tock!
Neighborhood Moon
Take care, you million
glitterers! The reaper’s
sickle’s poised!
Clock
The fateful finger points
and says ‘Remember!’.
Us? We giggle on.
Faint
He calls
to his dogs. The hunter who
has passed beyond the brow.
Pick and Catch
Leave flowers and butterflies
alone.
The world’s too fair. You hear?
The Compleat Astrophysicist
Once, they say, was
a great big bang. But
nobody there to tell …
Time Out
Back in The Big Bang
seconds were sent sprawling.
Clocks soon captured them.
Escapade
Firelight leaps to
ceiling’s corners. Escape
the room … ? No, no.
Seventeen Years
My brave old dog
gazed up at me … Oh! I could see
his spirit gone!
Restless
I couldn’t sleep.
The night passed by. It took
about a year.
Earthbound
Icarus, hurtling
past his dad:
‘Shut up about the Sun!’
Fireside Quiet
Firelight and silence.
A murmur, an answer.
The falling of an ember.
Play
Children clamber
in a tree. Two bump heads –
laugh helplessly.
The Defence
Draught’s brisk!
Candle-flames! Aux Armes! Stand fast
upon your wicks!
Winter’s Eve
A glow and crackling logs
within. Without
all’s chill and dumb with snow.
The Bright Side
Smile when you pay
the ferryman. He who looks like
Nosferatu.
Cares
Wind dies – then
rises; slaps me in the face.
Like hope.
Waiting
Night’s almost done.
Above, the scattered stars pale,
expectant of the sun.
Thingness
All’s a kindled fire
in every state. So stir the coals
with care.
Young Moon
Lazy Miss,
on her back, napping in
her hammock …
Desiderata
Laugh, yes, and be merry.
Be kind; show love.
Time is an outstretched hand.
Assault
Willow heaves her load
against the wind.
She’ll not give in.
The Poker’s Touch
The Master Log’s upon
the embers. The poker’s touch.
A merry blaze.
It’s Hot
Damn hot! Sleeping cats’ll
fall off windowsills. Great toads’ll
die of thirst.
Night Watch
Night waters. So, you stars?
Look down upon yourselves!
So many millions deep!
Tiddler
Ten million scattered stars
shine. Damn! My puddle’s
caught just one!
Imagination?
Dark street.
My footsteps. They sound like…
footsteps following.
Damascened
Spied, through the crowd,
a shapely, dazzling ecstasy!
Floored like Saul – that’s me.
Diadem
Gorse tops
the mound. A sleeping warrior’s crown
of gold.
What they Boast About in Valhalla
‘And last I clove the mantichore
his head. He rained hot gore.
And thus I burned and bled’.
Lull
When table-talk stops short –
that weird moment’s silence!
All swap smiles.
Journey
The lame child
limps and lingers. The lane
runs on.
Diminishing
Talk at twelve; logs spit.
Murmurs at three; red segments.
Four o’clock – the parting.
Sol Invictus
Scorching in the
veg patch. Heat waves skip along
the cabbages.
The Armada
Washing’s at hoist.
Ballooning blouses!
Knickers ahoy!
Ode to the Sun
Yield, glorious orb of gold,
go down … Don’t take
too long kow-towing, eh?
Koshtra Belorn
Her matchless contours …
created solely to compel
men’s adulation.
Glee
A silly little thing.
But our eyes met – and we laughed,
and laughed again!
Thoughts
There the mountains, there
the sea; the great sky … the
dot of life that’s me.
Linings
Soft stuff lines
li’l warblers nest: As it does
the big bad hawk’s.
Alchemy
A world once beautiful …
Transmuted thus
by wars and lust!
The Silence from Horeb
We know you like
to hide your face, but – God!
To look away!
Moody
Grate’s deep in ashes.
Embers, few. Blow on them.
They’ll glow.
Lemme Alone!
A hermit’s life for me,
I swore: Uh-oh. Not so, thought
he girl next door.
Master Rat
Young rat’s small, yet.
But, bold? Cares not a jot
for etiquette!
Small Suns
A sunless alley’s
end. There, though,
dandelions glow.
Vacant
A small house, frail,
unoccupied.
The snail long gone
Hesperides
The veil slips:
Lifts life’s colours from all
earthly things.
Stealth Merchant
Thrush, on the wall,
sings joyously. Below glides Tom,
with evil eye.
Alone
Nightfall – time
of mockeries. That tree? Those rocks?
Grim fantasies!
Ongoing
Rain beats a rhythm
to the old clock’s tick. Dark blood
courses through my veins.
Play, Weigh
As years go by
come imps
to play upon the mind.
Blackberry Picking
Lazing in the sun
high and out of reach
the best ones hung.
Those Summers
Young, standstill summers
those, my love! But the days
were running away.
Naked Moon
Keen wind unwinds
her cloud-wraps, and, undressed,
the goddess smiles.
Youth
Live, lads and lasses – now!
Heed not
the hungry ticking of the clock.
Home
The place wells up within me,
now. Like a lost love’s
whispering still.
F I N I S